Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Sunday, June 9, 2013

A Big Open Book Between Us


“Some changes happen deep down inside of you. And the truth is, only you know about them. Maybe that's the way it's supposed to be.” — Judy Blume, Tiger Eyes



When I was a kid, my mother loved to take pictures of me reading books. Curled up in the recliner on Christmas morning, reading a new book while still in my pajamas; stretched out on a towel on Wrightsville Beach; laying across the floor at Grandma Hamm’s house. All with a book in my hands.

I didn’t realize just how many times she’d taken photos like this until I graduated from high school, and she gave me a present: A photo album that chronicled my life so far. All 18 years of it. And on almost every other page, I’d find these sorts of photos.

My favorite, though, is one that my mother didn’t take. That’s because she’s in it. It’s from 1995. We were at my Uncle Gary and Aunt Deborah’s house, probably for Thanksgiving. I love it because of our matching smiles, dorky glasses, and the way we both have one hand placed on the big book open between us. Mostly I love it because it says so much.

I couldn’t tell you what the book was, but I do remember the comfort, the safety, of being curled up next to my mom on a couch, reading a book. I’ve loved reading for as long as I can remember—even when I wasn’t technically reading, but as I listened to her as she read us The Berenstain Bears books, my brother Jay and I on either side of her.

It started with the Berenstains. Later, we had Laura Ingalls, Nancy Drew, and Trixie Belden. And then: Margaret. Steph. Deenie. Sally J. Freedman. Karen.

If you grew up in the 70s or 80s, you might have recognized many of those names. They’re all characters from Judy Blume books. By the time I became familiar with these girls, I’d outgrown the nighttime ritual of Mom sitting at the end of my loft bed, reading me Little House on the Prairie books or her old Trixie Belden’s.

But it was because of my mom that I did get to know them. And when I say get to know them, I mean exactly that. Like so many other young girls, I devoured Judy Blume’s books—always finding something in each protagonist that I would identify with so deeply, so intensely, I’d think, How did she know? or, It’s not only me!

Then, in high school, I snagged Mom’s paperback of Summer Sisters. I fell in love with it. I fell in love with Vix, the main character. I obsessed over Caitlyn, her “summer sister,” just like Vix did—and resented her, too. It felt real.

I’ve read Summer Sisters almost every single summer since that first reading. I took it to Wrightsville Beach, the summer after Mom had died, when it was just Dad and me. I sat on the balcony of our hotel reading it, just like Mom had sat reading books so many different summers when we had visited, all as a family. Reading it was like taking a vacation from my heartbreak. I didn’t feel sad or angry or confused. Everything felt right again.

I owe my mom and Judy Blume for that gift. From my mother, I have my love of reading, a lifelong comfort. When I want to talk to my mom sometimes so badly that my chest actually hurts, I can pick up a book and feel okay again—or at least not think about it anymore. And obviously, so many women have Judy to thank for writing the stories she has, for sharing these characters that so many of us can find ourselves in, even if it’s in a small way.


Last night, I had the absolute thrill of meeting Judy Blume. She finally made a movie out of one of her books, Tiger Eyes. Out of all of her books, she had to make a movie out of the one I never read! The movie played at a theater nearby last night, and Judy Blume was there for a Q&A session following the screening.

She was wonderful. She was down to earth, kind, and full of joy. She choked up talking about how meaningful this story was to her. She talked about her son, Larry, who directed the movie, with such love in her voice. When the Q&A was over, even though she had made a comment about how exhausted she was from all of her traveling and weekend’s events, she still stayed and talked to the people (mostly women), who were lined up waiting to meet her. My favorite was the woman, probably my age or younger, who was standing behind me, clutching a beat up paperback of Starring Sally J. Freedman as Herself. She’d had her mother FedEx it to her so she could have Judy sign it.

As for me, I stood clutching Mom’s now very worn paperback of Summer Sisters. I nervously handed it to one of my lifelong heroes and asked her if she would sign it, telling her it had been my mother’s.

Judy flipped to the title page and sort of raised her eyebrow at me before she started to sign. “You must have been pretty young when this came out.” Then she laughed. “And I was 60!”

It was a quick moment, and nothing extraordinary. But to me, it was extraordinary. Like this wonderful writer (and person) wrote in Tiger Eyes, “Some changes happen deep down inside of you. And the truth is, only you know about them.”

No one but me knew that at that moment, I felt as content as I did sitting on a hotel balcony reading my mother’s old paperback. No one but me knew that for just that quick moment, meeting Judy Blume, I felt like I could almost hear my mom laugh again. Almost. And it was enough, almost.

I think of Davey, the protagonist of Tiger Eyes, so distraught over the death of her dad, but yet still so strong. At the end of the movie, she dives in the ocean and swims. You know she’s going to be okay.

Thanks to a little help from Judy Blume, so many of us know the same.


Sunday, December 26, 2010

Dammit, Hubble!

Ohmyfuckinggod, you guys.

So, I haven't blogged in a hundred years (or, a week and a half) but that's because I've been busy. Busy feeling lots of feelings. Busy writing Groupon deals about fish pedicures and cider houses and laser hair treatments. Many of these deals happen in Canada, which means I've also been busy plotting my escape to Montreal, where I will read novels and eat biscotti in quaint cafes and I'll parle francais and be so very, very chic. I've also been busy celebrating the birth of Santa, which means I've been drinking egg nog, baking cookies, and snuggling with the cats. Basically the things I normally do, except I get to listen to more Mariah Carey than usual.

ANYWAY. The point is ... THE POINT IS, my waitressing shift was cut short today due to the fact that it's post-Jesus' birthday party, and everyone is hibernating in their homes because they're hungover and just gained 10 more pounds from all of the food they've been shoveling in their fat faces. So, I pocketed the whopping ten dollars earned from my five customers, and I took my exhausted ass home.

I had been daydreaming at work about watching an old movie in bed, cozied up with Layla and wearing my favorite sweatpants. And that is exactly what happened, Rainbow groupies!

I just watched "The Way We Were" for the first time.

Oh. Holy. Crap.

Where do I begin? Obviously I already knew all about it, because of this "Sex and the City" episode. ("Oh GAWD, Alison is talking about 'Sex and the City' AGAIN? What kind of feminist IS SHE?" SHUT UP. It's my thing. I love it. Moving on.)

Oh, Katie.

But how could I have known just how incredible Barbra Streisand was as Katie? She has big, big hair and is political and wants to save the world. She has embarrassing, loud, emotional outbursts at parties when people make stupid jokes. She has long, bright red nails and books scattered all over her apartment. And she is completely, batshit crazy in love with this dude named Hubble.



THIS guy:

Hubble!

Now, since I know you're all going to pull up Netflix to find this movie (when you're done reading this, of course, because you're not a jerk), you are in luck. Watch instantly. Observe how Barbra Streisand constantly looks at Robert Redford like she wants to take a big bite out of him. (Like right here.) I mean, of course she does. HE'S ROBERT FUCKING REDFORD. Did you see him? Let's take another look, shall we?



I love it. I love staring at Robert Redford's face and his annoyingly gorgeous blonde hair for an hour and 58 minutes. I love watching Barbra Streisand shriek, "Her husband is DEAD! DEAD! Did you tell the cripple jokes too? Is there anything that isn't a joke to you people?!" (and then throws back a martini while Hubble shuffles his newspaper, embarrassed). I love watching a movie where the couple doesn't end up happily ever after. ("Why did you bring me here? I mean, couldn't we have gone for a walk or sit on a bench somewhere?") Oh, Katie. I feel ya, girl.

Except, umm, you guys? Just cause your marriage failed because Hubble's sort of a philistine and Katie feels too many feelings, does that really mean Hubble just quits the idea of being a dad to their daughter Rachel? C'mon, you two. I think you can put the complicated feelings to the side for the kid's sake. At the end of the movie, when he's with his stupid looking new wife who can't hold a candle to Barbra Streisand's huge-ass hair and gorgeous cat eyes, he asks if Katie's new husband is a good father. Um, NOT GOOD ENOUGH, you gorgeous, shallow moron. You better be using the money from your stupid TV show for child support, cheater. Now go finish your fucking novel, Hubble. You can't ride on those good looks forevvah.

Okay! That's it! I feel better now.

Don't you?

Fine. NOW you do:




Okay, I think I have to stare at young Robert Redford some more.

I'll be sure to let you all know how it goes.

Sunday, August 8, 2010

Monday, June 14, 2010

Cuss Yeah, Fantastic Mr. Fox!

I FINALLY saw Wes Anderson's Fantastic Mr. Fox tonight, and it was so cussing awesome, I can't cussing believe I didn't see it sooner. I think the world's most scrumdiddlyumptious storyteller himself would have been pleased with this adaptation, and it sounds like his wife agrees:



I know I'm about eight months behind on this, but I don't cussing care. Here's a behind-the-scenes look at how it was made.



I'm also thrilled to finally have a solution to my F-bomb problem. From here on out, it's going to be cuss this and cuss that. As my friend Arec would say, let's make that a thing.

Monday, December 7, 2009

And all I could say was, 'hello'

Finally, I get it.

I've seen "Sleepless in Seattle" an embarrassing amount of times, yet until recently never thought to watch "An Affair to Remember". Thank you, Netflix, you've yet again changed my life for the better.

Last night, I finally watched it, and have no qualms admitting that I was yelling at my TV, tears streaming down my face, "Tell him! Tell Nikki why you weren't there!"

Christ. I thought everyone was exaggerating. This all makes so much more sense now:





(In other news, I think I should probably be concerned that I relate so much to Jonah in this movie. Umm, he's what, 10?)

Back to "An Affair to Remember": It was like reading a freaking Jane Austen novel. All talk, no action, so much sexual tension! Come on, no real kiss, after all this? Do it, already!

*Spoiler alert, for any of you who are under the rock I just abandoned last night.*




Good God, I just teared up watching the clip. He almost walks out the door! But then: Epiphany! The painting!

"She didn't have any money, and not only that, she was... she was..."

Just look at Cary Grant's face when he sees that painting, and try not to weep. I dare you.

"If it had to happen to one of us, why did it have to be you?"

"Oh, darling! If you can paint, I can walk! Anything can happen, don't you think?"

Holy crap.

Wednesday, September 9, 2009

What, there were no women around?

As if we aren't already inundated with Tyler Perry's bullshit movies and television show where he insists on dressing in drag and not being funny, now I've received the upsetting news that he is adapting Ntozake Shange's "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf."

My faithful readers might recall my previous posts on For Colored Girls...not to mention that the choreopoem was a major inspiration for my blog title. Rainbows, ahem.

I'm unhappy. Aside from the fact that I can't think of a single project Tyler Perry's done that I've liked, umm, hello? This is a woman's piece. A woman's perspective is crucial for this piece. Crucial. You can't tell me that Tyler Perry read "for colored girls" and thought, "Exactly. I've been there before." He's not even believable in drag. Come ON.

So he's going to adapt monologues like this:

ever since I realized there waz someone callt
a colored girl an evil woman a bitch or a nag
i been tryin not to be that & leave bitterness
in somebody else's cup/come to somebody to love me
...
left screamin in a street fulla lunatics/whisperin
slut bitch bitch nigga/get outta here wit alla that
i didn't have any of that for you/i brought what joy
i found & i found joy
...
i used to joke abt when i waz messin round/but a real dead
lovin is here for you now/cuz i don't know anymore/how
to avoid my own face wet wit my tears/cuz i had convinced
myself colored girls had no right to sorrow/ & i lived
& loved that way & kept sorrow on the curb/allegedly
for you/but i know i did it for myself

This movie should be adapted by a black woman. I don't really see how we can argue otherwise. It's the heart of the piece, and I'm so disappointed that Tyler Perry's not using his influence to do this movie with a talented black female writing and adapting it. He could still produce it! That's fine. Whatever. But a woman should write it, and a woman should direct it.

No surprise that I got this bad news passed on from Jay, via TNC. You can read a couple more perspectives there.

Sigh. Tyler Effing Perry. To quote from "for colored girls":
never mind sister
don't pay him no mind
go go go go go sister
do yr thing
never mind
He better pull this off. Check out these two clips from a performance of "for colored girls." These are two of my favorite passages.




Tuesday, July 14, 2009

Looks like I just scored another white people point!

Stuff White People Like finally updated with a new post, Where the Wild Things Are, furthering the evidence that I am the ultimate white person. (Please read my Love in the Time of Cholera post for your proof.)

From #127 Where the Wild Things Are:
"It is a guarantee that whenever it is announced that a popular book is being turned into a movie, white people will get upset. This is partly due to their fear that something they love will be made accessible to more people and thus enjoyed by more people which immediately decreases the amount of joy a white person can feel towards the original property. Yes, it’s complicated.

The other problem is that these announcements create a ticking time bomb where by a white person must read the book in ADVANCE of the release of the movie. This is done partly so that they can engage in the popular activity of complaining about how the movie failed to capture the essence of the book. But more importantly, once a book has been made into a movie, a white person can no longer read that book. To have read the book after the movie is one of the great crimes in white culture, and under no circumstances should you ever admit to doing this. Literally dozens of white friendships have imploded when it was revealed that someone read Fight Club after 1999."
Another point they should have mentioned: Under no circumstances should you buy the edition of the book with the movie cover. This automatically results in scorn from other white people, who will assume you are committing the great crime of reading the book after you've seen the movie. The only time this is acceptable is when you are me, and you buy the copy of Atonement with James McAvoy on the cover, because James McAvoy is hot. The white people points I lose by this admission are immediately balanced out by the fact that I recently have vowed to learn Spanish and always answer "poquito" when asked if I hablo Espanol (see #115 Promising to Learn a New Language for details).

You'll find more evidence about my high score in white people points here. But do I lose white people points for liking Miracle Whip and Kool-Aid?

Wednesday, June 17, 2009

The Time Traveler's Wife!



Finally! The movie adaptation of The Time Traveler's Wife by Audrey Niffenegger is coming out on August 14. I first read the book when I was studying in London in 2005, and me and my friends there passed this around and gushed about our love for it. Why so much love? It's a great love story and science fiction all in one, it's clever, it's largely set in Chicago...it is just all around goodness.

And to make it all even better, the casting could not be more dead on. Rachel McAdams plays Clare, and Eric Bana is Henry--as if Henry wasn't already my dream man in the book, now he's in the form of Eric Bana?! Yum. And Ron Livingston is playing Gomez? Love. It.

I could do without the uber-cheesy running into each other's arms in the meadow bit, but aside from that, the preview leads me to believe that they've managed to adapt this with a limited gag factor. Let's hope that's the case.




I can't wait! In the meantime, if you haven't read the book, come over and borrow my copy. I actually reread it earlier this year, so all I have to do is wait.

Oh, Henry and Clare!

Tuesday, March 10, 2009

“Towelhead”

Do yourself a favor: Add “Towelhead” to your Netflix queue, then move it to the top of your list. It’s an adaptation of the novel by Alicia Erian. I hadn’t read the novel, but was intrigued by the preview.



It didn’t disappoint (unlike my last Netflix pick, “Brideshead Revisited”…blech). Summer Bishill, the actress who plays Jasira, is absolutely fantastic. But really, everyone in this film was incredible. Of course, Aaron Eckhart was incredible in the creepy, terrifying way that might keep me from sleeping tonight, but I guess someone had to play the pervert next door.